GQ - Language & Representation blog tasks
GQ - Language & Representation blog tasks
Create a blogpost called 'GQ: Language and Representation' and complete the following tasks:
Language: Media factsheet
Language: Media factsheet
Complete the following tasks using Media Factsheet 252 - The Codes and Conventions of Print Magazines available in our Media Factsheet archive here. Answer the following questions:
1) What are the different magazine genres highlighted on page 2 and how do they link to our magazine CSPs?
- General Interest
- Special Interest
- Professional
2) Look at the section on GQ on page 2. How do they suggest that GQ targets its audience?
Male audience by using iconography of the spy and action genres; like James Bond and his iconic car the Aston Martin are included along with CGI explosions and a palette of red, yellow and black that create an intense and dramatic effect to the visual codes.
3) What does the factsheet say about GQ cover stars?
GQ selects their cover stars very carefully. In the December 2022 edition, they chose Marcus Rashford, a Manchester United footballer.
4) Pick out five of the key conventions of magazine front covers and explain what they communicate to an audience.
- Puffs are place in the left or right-hand corners to catch the eye of the reader, often inside a graphic element
- Pull quotes such as “I was dancing so hard my dress fell off!” invoke humour and perhaps shock, but also appear to give insider knowledge.
- Numbers are used to suggest it could also offer a quick-read for busy people
- The use of sensationalism and language of true crime and or gossip magazines are intertextualised to create and emotional response.
- The main coverline is not related to the image but offers different content of interest, with varying size, colours and styles of typography.
5) What is a magazine’s ‘house style’? How would you describe GQ’s house style?
it refers to its conventional “look” in relation to its writing and formatting.
The house style establishes brand identity and helps to distinguish one magazine from the other. This is necessary if the magazine is in a shop where the crowding of titles on the shelf means that the eyes of the consumer must be caught.
Language: CSP analysis
Use your annotated CSP pages to help answer the following questions. You can find an annotated copy of the GQ pages here (you'll need your Greenford Google login).
1) Write a summary of our annotations on the media language choices on the cover of GQ - e.g. colour scheme, typography, language, photographic codes etc.
I would say that we annotated the cover lines of the GQ cover and the costumes and make up which was a bruised up look which looks natural representing the toxic masculinity, they also used masculine colours
I would say that we annotated the cover lines of the GQ cover and the costumes and make up which was a bruised up look which looks natural representing the toxic masculinity, they also used masculine colours
2) Identify three specific aspects/conventions/important points (e.g. cover lines, colour scheme, use of text, image etc.) from each page/feature of the CSP that you could refer to in a future exam. Explain why that particular aspect of the CSP is important - think about connotations, representations, audience pleasures, reception theory etc.
Front cover: Robert Pattinson image - Art & Fashion issueInside pages: Jonathan Bailey feature and fashion shoot
3) Apply narrative theories to GQ - Todorov's equilibrium, Propp's character types, Barthes' action or enigma codes, Levi-Strauss's binary opposition. How can we use narrative to understand the way the cover and features have been constructed?
4) Analyse the cover and inside pages of GQ. Does this offer an example of Steve Neale's genre theory concerning 'repetition and difference'?
4) Analyse the cover and inside pages of GQ. Does this offer an example of Steve Neale's genre theory concerning 'repetition and difference'?
Representations: applying theory
We have already covered many relevant theories in our work on Advertising and Marketing (for example, David Gauntlett's writing on Media, Gender and Identity). We now need to apply these theories and ideas to GQ and specifically the CSP pages allocated by AQA.
1) How can Gauntlett's ideas on masculinity, gender and identity be applied to the GQ CSP pages we have analysed?
2) How could van Zoonen's work on feminist and gender theory be applied to GQ? Does the magazine challenge or reinforce these ideas?
3) Does bell hooks's work on 'corrosive masculinity' apply to GQ?
We have already covered many relevant theories in our work on Advertising and Marketing (for example, David Gauntlett's writing on Media, Gender and Identity). We now need to apply these theories and ideas to GQ and specifically the CSP pages allocated by AQA.
1) How can Gauntlett's ideas on masculinity, gender and identity be applied to the GQ CSP pages we have analysed?
2) How could van Zoonen's work on feminist and gender theory be applied to GQ? Does the magazine challenge or reinforce these ideas?
3) Does bell hooks's work on 'corrosive masculinity' apply to GQ?
4) How does the Jonathan Bailey feature represent masculinity and sexuality?
Representations: wider reading - GQ and the new masculinity
Read this CNN feature on how GQ is redefining masculinity and answer the following questions:
1) Which GQ issue is discussed at the start of the article and what was notable about it?
Representations: wider reading - GQ and the new masculinity
Read this CNN feature on how GQ is redefining masculinity and answer the following questions:
1) Which GQ issue is discussed at the start of the article and what was notable about it?
2) How did Will Welch view GQ when he took over as Editor-in-Chief and what did he want to offer readers?
3) How has publisher Conde Nast responded to changes in the magazine industry and how did this impact GQ?
4) What did the GQ New Masculinity edition feature?
5) What did journalist Liz Plank say about toxic masculinity?
6) How did Welch respond to suggestions GQ was responsible for toxic masculinity?
Finally, read this short GQ feature on masculinity and answer the following questions:
1) What does the article suggest masculinity involved at the start of the 20th century?
2) What social change occurred from the 1930s?
3) What is suggested about masculinity today?
4) Why does it suggest these changes are important?
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